Jason Poblete’s How We Move collection turns its lens toward the machines that shape our journeys—across towns, coasts, and lifetimes. In this striking photograph, a classic American car, gleaming in the Miami light, rests just beyond a corridor of domino tiles in Little Havana. Framed with intention, the scene becomes a visual homage to movement as culture—where every detail, from the polished hood ornament to the weathered walkway, tells a story of both transit and tradition.
The domino tiles on the pavement—an unmistakable nod to the rhythms of Cuban-American life—guide the viewer’s eye directly to the vintage vehicle, as if memory itself is paving the road. The car doesn’t need to move; its presence is a motion all its own, a symbol of nostalgia and survival. On the surrounding walls, framed art and sculptural accents further tie together the theme of how we move—not just physically, but emotionally and generationally.
This image transcends transportation. It’s a visual dialogue between past and present, machinery and memory, culture and community. Through Poblete’s eye, movement becomes more than mechanics—it becomes identity.
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